“Kobir Aangone Raager Aalo”

Sounak’s debut album was released on the 2nd of May 2007 in Crossword bookstore Kolkata. “Kobir Aangone Raager Aalo”, is a first of its kind in the sense that it is a combined compilation
of both Hindustani Classical music and Rabindrasangeet, both Sounak’s forte. The album was launched by his Gurus, the Kirana Gharana maestro – Ustad Mashkoor Ali Khansahab and the famous Rabindrasangeet exponent- Pramita Mallick. Senior academician and teacher Subhas Chowdhury graced the occasion as the guest of honour.

The masters showered their blessings on Sounak in front of a packed audience in Crossword. The opening ceremony was followed by a short and succinct recital of Raag Desh and Rabindrasangeet based on the same Raag, by Sounak.

KOBIR AANGONE RAAGER AALO – The Concept.

When the idea of launching an album was first suggested, I wondered if I could juxtapose both my subjects in the same compilation, but finding out a relevant thread which will effectively and logically bind the whole theme together was what I was looking for. I did not want a repetition of the “Bhanga Gaan – Mool Gaan” concept (Original Oriental or Western melodies which directly inspired Tagore for his compositions), which has already been attempted by a number of artists. It was while playing with such musical ideas that the concept first suggested itself.

Being a student of both Classical music and Rabindrasangeet I have had the opportunity of looking at both the musical forms from proximity. Any given Raga manifests itself in totally different forms when portrayed in Classical music and in a Rabindrasangeet.

Tagore was always in favour of liberating music from its shackles and giving it new forms. What made Tagore’s music so different was his lofty philosophy on one hand and his creative genius on the other, which was reflected on his ability to assimilate various forms of Indian and world music and fuse his ideas to create a new genre altogether different. The various ingredient components underwent a complex chemical change and retained a just a subliminal flavour of their own, but they could not be distinguished in their independent elemental forms. The apparent divorce between the two subjects is just apparent and it requires rather a catholicity of taste and education to grasp the common note between the two genres.

Thus was born “Kobir Angone Raager Aalo”, literally meaning a ray of color (Raga) on Tagore’s courtyard. The album contains six Ragas and six of Tagore’s compositions based on those same Ragas. The Raga and the Rabindrasangeet have been placed side by side for the listener to understand the difference in the two musical idioms. I would just like to make a special mention of the Raga Bahar and the third song – “E Ki Koruna”. Bahar is a Raga of the spring in India and is portrayed as having a very brisk if not frivolous character. But the respective Tagore song – “E Ki koruna”, is a devotional song which is rather a restrained and tacit expression of the poet’s awe, spellbound that he is at God’s bountiful creation. The last one Bhairavi is my personal favourite though.
 

“Bhara Baadore…”

No other season possibly inspired as much awe in Tagore as did the rains. The rains with its mystic profundity has been reflected beautifully in his writings – poems and songs.
His songs on the rains have always remained one of the most popular themes among singers and audiences alike. After the success of his debut album, P&M records decided to come up with the second album, “Bhora Baadore…” a collection of songs and recitations of the Rains; jointly with the legendary elocutionist Gouri Ghosh. The album was launched by stalwart Rabindrasangeet Singer Sumitra Sen in Kala Kunj auditorium – Kolkata.
Sounak along with Gouri Ghosh offers a new experience in “Bhora Baadore…” too. Combining essences of Raag in a very unique way, never before attempted in Rabindrasangeet, Sounak uses his voice as an instrument to orchestrate his own songs. “Aji Srabon Ghono Gohon”, “Kotha Je Udhao Holo”, “Heriya Shyamolo Ghono” and “Aji Jhorer Raatey” are songs to watch out for.

Hope you enjoyed the songs and please feel free to share your comments and views with me.
 

  Sample track from the Cds.:  
 

 Track 1 from “Kobir Aangone Raager Aalo”
Track 2 from "Bhara Baadore..."


 
   
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What critics say –

“…among the young breed of musicians deftly carrying on the tradition is Sounak Chattopadhyay, with his collage of classical bandishes and Tagore’s songs. The song selection is great, not the mainstream ones, though all demand equal respect. Six Ragas and six Tagore songs, this album is both for the light listener as well as the matured music critic.” – The Times of India.